Art, Writing and Performance

The ideas that inform this table concern the potential for creating collaborations, new projects and networks along the intersection between art, writing and performance. The relationship between inscriptive environments - on the web, in print and on film, for instance - is being remade in artists' work that re-considers the place of writing within art practice, and drawing and sound composition as aspects of writing. As well as thinking and talking about artists' practices in this field, the hosts will also encourage discussion about the artists's book and the place of publishing in art practice.

The discussion will begin with short interventions by three participants whose current projects deal with diverse aspects of the field.

Hosts

Claire MacDonald - ICFAR Director, co-founder of the journal Performance Research

Michael Hiltbrunner - Research Associate specialising in practice based research project supervision and book production at the Institute for Contemporary Arts Research,  University of the Arts, Zurich. 

Bio (German): http://www.ifcar.ch/?id=37&lang=e
Doctorate: http://www.portailderecherche.ch/unizh/p9226.htm

 

Discuss this topic on the Temporary Host forums.

Guest contributors

Anne Lydiat - artist, writer, curator

Cathy Lane - Co-Director of CRiSAP (CreativeResearch in Sound Art & Performance)

http://www.lcc.arts.ac.uk/17614.htm

 

 

 

Different ways of writing - in a PhD

Please follow this link - www.maryannefrancis.org/43.html - for the script - with pictures! - of a talk that I gave to Chelsea MA students.  The talk used the written part of my PhD (a 60,000 text) to respond to the question 'What is an artist's writing?'.  In the PhD (back in 2000), I was very interested in constructing an analogue for the 'asethetic of diversity' that I was exploring in my practice, which culminated in an exhibition at Beaconsfield, London - 'Mary Anne Francis: Group Show'. For pictures etc see www.maryannefrancis.org/15.html

The issue of whether an artist's writing should resonate, aesthetically, with their art-practice is, of course, open to debate - 'should' sounding dangerously prescriptive.  I'm interested in the ethics of possible relations between an aritst's writing and their art - relations which could take many forms.  This is one of the many things that could be a concern of the Writing-Art Research Group.

UAL Writing Art, Design (and other things) Research Group

On the basis that most artists and designers write around their practice (‘for’, ‘on’ and ‘after’ are just some nuances…) this proposed Research Group aims to open up a forum for developing and reflecting on discussion in the area.  And a forum in which to produce exciting, challenging and useful work – without prescribing what form it might take.

Needless to say, the proposed territory - at least to begin with – is amorphous, perhaps provisional in outline, and certainly broad.  What do we mean by ‘writing’?  If ‘photography’ is ‘writing with light’ is that included in a study of ‘writing’  And how is that helpful?  If we follow Derrida, do we include speech (as an instance of ‘general writing’?)  Are we interested in digital writing in its many forms?

Then again, there’s the question of the purpose of looking at ‘writing’ (beyond the fact that artist and designers write).  What is it useful and / or interesting to find out?  What is already known and how do we want to build on this?

If you would like to get involved in this Research Group which will be constituted around its members’ interests and contemporary debate – please mail me (Mary Anne) or sign up below with e-mail details.  We will then aim for an inaugural meeting in September!

All staff from UAL and beyond welcome – as too, research students.

Some possible topics – please add others!

• What is an artist’s and / or designer’s writing?

• What is ‘academic writing’?  (Not to assume we know what it ‘is’, or that it has an essence…)

• Agents of writing: machines, humans, digital technologies, genre, discourse…

• Writing and inter-disciplinarity / in-disciplinarity / trans-disciplinarity and all the rest

• Why write?

• Spoken text

• Performed writing / writing as performative / time-based writing

• Image-text

• Publishing – modes and means

• The Dissertation?

• Textuality, not writing

• Writing skills

• Writing and music

• Not writing / the argument for writing in the art & design curriculum

• Writing and the practice-based PhD

maryannefranics[at]hotmail[dot]com

0.5 Research Fellow in Writing + Art
Chelsea College

 

Not a good idea to put your email address on a web page

Hi Maryanne

Interesting comment - thanks for the input. A word of advice though. It is not a good idea to put your email address on a web page because you could easily become a target spammers who trawl the internet looking for such things. For the same reason, it is not a good idea for people to add their email addresses in reply to your comment. A workaround is to let people know your address using the following convention:
maryannefranics[at]hotmail[dot]com

On a separate topic, I wonder if you know that you can add this information as a thread under the Art, Writing and Performance forum topic. To do this, just click the Create new forum topic link at the top of the Art, Writing and Performance table topic.

Cheers

Triona at Peann